14S

naive initial experience Is not the ol

poetry. Criticism Is not an end, but a Is

equally true, both as to the or

of the experience, and as to its quality. The

critical attitude, with its own delight,

always be auxiliary, a

one more like that of the and like

the poet wishes to produce. It is

—not /or ffo war fl»y

i$
it is tQ

the to

its is or its

So, after all, we the itself, and

Wr Belgion 5s mistaken in we do so. His

irgument, like several in this book,

lepends on the introduction of clear-cut —

xeated as ultimate—into the of experience. We find
iiis comer of his interesting

static: he fails to understand the continuity of develop-
in the experience of and